Lessons From a Small World

If you’re up on the news in the indie craft world, you’ve probably heard about the “Spoonflower Scandal” in which a member of the site uploaded a fabric design to her account that was actually drawn by Yasmine Surovec of A Print A Day.  This design won their “Fabric of the Week” contest and was put up on the Spoonflower Etsy page before a Print A Day fan brought it to Yasmine’s attention and it was taken down.

In my opinion, everyone in this situation acted less-than-graciously, except for Yasmine (who sent the kindest cease-and desist letter I’ve ever seen) and a few calm commenters.  The offender obviously fouled up big-time by submitting someone else’s work to a contest (as a professional artist herself, she should really know better), but if you read her comments, you’ll see that her mistake was really 50% ignorance, 25% arrogrance and 25% cutting corners.  No real malice was intended toward Yasmine.  She just wasn’t even thinking about her.

I was perhaps more alarmed, though, by the thorough lashing and exposure she received at Spoonflower.  Several of the braver commenters let fly a few choice insults under their own names, including one commenter who called her an “asshat” and then posted the artist’s personal web page so others could do the same.  Other people e-mailed their wrath directly to the offender, some anonymously.

Clearly, there are some lessons to be learned here, the most obvious of which is: don’t use other people’s work, and especially don’t submit it to a contest and then brag about winning.  But there are some less obvious lessons here as well, like:

  1. The indie craft world, and especially the online indie craft world, are very small places.  There’s no way you can post a neo-mid-century-Scandinavian-type nature graphic to an online craft/design site and expect other viewers not to know where it came from.
  2. We indie designers and crafters are scrappy folk.  Those of us who manage to make a living off of our work are mostly just scraping by, but we continue to bust our asses creating things because we’re passionate about it.  It’s no wonder, then, that we defend our designs with our lives.
  3. Rip-offs happen all the time.  Mostly it’s done out of laziness or ignorance, but rest assured, if you’re an artist with any decent online exposure, it will happen to you.  I had to send a cease-and-desist last Christmas to a big commercial web site that used one of my images in their newsletter without my permission.  The editor was rushed and busy and just got lazy about research/citation.  She apologized immediately and did her best to make it up to me.
  4. Copyright law is confusing, so familiarize yourself with the most popular licenses at Creative Commons and the U.S. Copyright Office.  Then make sure you know what the license is and who it belongs to for any image you plan to use.  I have a friend who sells embroidery patterns, and she constantly has to inform crafters that they can’t sell items they’ve embroidered with her designs unless they purchase a commercial license from her.  People don’t read the fine print on the package.  They just assume that since they paid for the pattern, they can use it for whatever they want.

Do you have any other insights about this situation, or copyright and indie design in general?  What do you think is the appropriate penance for this kind of sin?

Park(ing) Day September 19th

Next Friday, September 19th, is National Park(ing) Day!  Begun just three years ago by San Francisco art collective, Rebar, and supported by the Trust for Public Land, Park(ing) Day now occurs in over 50 cities worldwide.

Here’s the gist: you and your friends cordon off a metered parking space in your neighborhood and turn it into a public park for the day (while feeding the meter, of course).  Some people lay out rolls of sod or astroturf, while others use kiddie pools to create “water parks.”  Rebar has put together a very easy and detailed “How-To Guide” for putting together your Park(ing) space, so there’s really no excuse.

Many small businesses use Park(ing) Day as a way to draw traffic to their stores.  The shopkeepers in my local merchants’ association in Hayes Valley are commandeering at least three spaces for the event. When you think about it, participating in Park(ing) Day makes perfect sense from a business perspective.  Not only do you create a crowd-drawing spectacle right in front of your store, you are encouraging people to linger there, sometimes for hours.  And in the long term, anything that discourages driving and encourages walking (and therefore, window-shopping) swings the pendulum away from big boxes and back towards neighborhood institutions.

I’m looking forward to spending some time in my neighborhood’s “parks” next Friday.  If my friends weren’t all working, I might even put together a space myself. To get an idea of what to expect, check out these photos.

One note: Park(ing) Day and all of its accoutrements are protected by a Creative Commons Non-Commercial Attribution license, which means: 1) You cannot use your Park(ing) Space to directly sell or promote your business’s products or services (i.e. you can set it up in front of your store, but you cannot label it with your company’s logo or offer free samples) and 2) any signage, web site or other written materials on or referencing your Park(ing) Space must say “Original concept by REBAR.  www.rebargroup.org.”